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      | The 20 series is the smallest
        of Conklin's Crescent Filler pens.  The 25P is the
        "pocket" or short version of this series, and the 5 digit
        probably indicates that it is a slim version, sort of like Waterman's 52
        1/2V. I have three model 25P pens.  Two have gold trim and the third
        is plain. | 
    
      | 25P number one The first three pictures below show my first 25P as it was when I got
        it.  The cap and barrel were badly oxidized on one side, but still
        black on the other, plus there were a pair of black stripes, one around
        the cap and one around the barrel.  I think this pen may have been
        displayed with elastic bands around it and left in one position for
        quite some time.  The #2 Toledo nib was quite dirty, and the ink
        sac was completely hardened. A gentle application of heat helped to loosen the section from the
        barrel, and the old ink sac came out in one piece.  I drove the
        nib/feed out of the section and treated them to the ultrasonic cleaner
        plus some extra cleaning.  At some point in their past, someone has
        tried to do something to the nib/feed with pliers, and there are some
        permanent marks right on the wings of the nib and on the edges of the
        feed, but these seem to have no impact on their functionality.  It is interesting that the chasing pattern on the cap continues
        uninterrupted onto the gold cap end. The nib is a Conklin Toledo 2, fine with some flex | 
    
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      |  | I decided that this pen was an ideal
        candidte for re-blackening.  I am aware that this is a
        controversial process in the fountain pen collector community, but this
        pen had not aged gracefully and its color was a pretty awful shade of
        brown/green, and very uneven. I used Pensbury Manor Potion #9, following the directions
        carefully.  First, I cleaned the barrel, cap, and crescent lock
        with a 50/50 solution of household ammonia and water, then rinsed
        thoroughly and allowed it to dry overnight.  I then applied Potion
        #9 with an artist's brush and let it sit overnight.  I buffed it
        with a lint free cloth and reassembled the now-black pen.  The pix
        below show the result.  I like it! | 
    
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      |  | So far as I can tell, there was no
        immediate impact to the chasing or the imprint.  The pen writes
        nicely with a somewhat flexy nib. I count this as a successful rescue. | 
    
      | 25P number two BCHR Crescent Filler with plain ringtop, 1/4"
        gold cap band. Imprint on barrel is worn. Chasing on barrel is faint,
        cap is better. No gouges or cracks.  It is missing its lock ring,
        so I have substituted one from a Spors crescent filler until a suitable
        replacement can be found.  The nib is fine with some flex. I re-blackened this pen using Pensbury Manor Potion
        No. 9 | 
    
      |  | The pen is currently at a repair shop being
        fitted with a new lock ring.  Here is a picture of the cap and
        barrel during the re-blackening process. 
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      | 25P number three This is the base model 25P.  It has no gold trim at all, only
        the ring for the ringtop.  This pen has good sharp chasing and no
        gouges or scratches.  It is fitted with a Conklin Toledo 2
        nib  that is fine with some flex.   The cap is engraved
        "EMILY D SMITH".   It was not oxidized at all
        when I acquired it, so needed no re-blackening. | 
    
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